Behind The Scenes

Taste of New-York History: The Redhead

brittles_largeNew York has long been a food capital, from the upscale kitchens of our finest restaurants to the bagels and sausages on the street corners. But as anyone who has walked around Brooklyn has figured out, the next chapter of New York’s food history has everything to do with the local, “artisanal” food scene that is making its mark on the city. From the rise of greenmarkets and food fairs to the focus on seasonal ingredients, these products embody a DIY ethos that New York City has had from the very beginning.

The New-York Historical Society’s Museum store is introducing it’s A Taste of New-York History collection of specialty foods produced in New York City and State, including jams, savory condiments, and chocolates. One of those vendors is The Redhead, a neighborhood restaurant in the East Village whose bar snack, Maple Bacon Peanut Brittle, became so popular that they started producing it on its own! We spoke to owner Meg Grace about creating a neighborhood space, and the popularity of their snack.

 

How did The Redhead start? What was your goal behind it?
My partners bought an old jazz bar in the East Village with the goal of turning it into a neighborhood restaurant almost 7 years ago. I did not get involved until almost a year after they bought the place. The goal has always been to have a place that people could get a great burger any night of the week and to also be able to get a nicer meal for maybe a first date or to take your parents when they are in town.

 

Did you always see yourself as a restaurant owner? Or did you have other goals as a kid?
No, I didn’t figure out I wanted to cook for a living until I was in college. There was no Food Network and there was really just Bon Appetit magazine, maybe the beginnings of Food & Wine….so, I went through multiple majors in college, none of which had anything to do with food. But, once I figured out I wanted to learn to cook, I graduated as fast as I could and moved to New Orleans.

 

New York, and the East Village especially, has a really long and diverse food history. How did you want to contribute to that?
The initial menu brainstorms for the restaurant were actually pretty reflective of the food history of the East Village, but once we started serving people they started really gravitating toward the more Southern choices. So, things shifted. Honestly, it’s always flattering to just be a part of the conversation about food in this city.

 

Where did the maple bacon brittle come from? Were you surprised at its popularity?
The Bacon Peanut Brittles came about because we needed a bar nut to serve people before we started serving a full menu. We actually named it before there was even a first rendition and name has just stuck. And, yes, I was totally surprised at the popularity. It never occurred to me that we would be making it for anywhere other than the restaurant.

 

Do you have any tips for people wanting to start their own restaurants/food business?
Learn how to do all the jobs in a restaurant– wash dishes, take out the trash, wait tables, bar back, bartend, host, etc. You need to be able to see your own business from your employee’s perspective.

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Taste of New-York History: Interview With Fiona of Papabubble

205361_10150886885278603_757258548_nNew York has long been a food capital, from the upscale kitchens of our finest restaurants to the bagels and sausages on the street corners. But as anyone who has walked around Brooklyn has figured out, the next chapter of New York’s food history has everything to do with the local, “artisanal” food scene that is making its mark on the city. From the rise of greenmarkets and food fairs to the focus on seasonal ingredients, these products embody a DIY ethos that New York City has had from the very beginning.

The New-York Historical Society’s Museum store is introducing it’s A Taste of New-York History collection of specialty foods produced in New York City and State, including jams, savory condiments, and chocolates. One of those vendors is Papabubble. This LES candy shop, owned by Fiona Ryan and Chris Grassi, produces homemade hard candies in some extraordinary flavors. (Think watermelon chili, raspberry sage, and lavender!) We spoke with Fiona about studying candymaking in Barcelona, coming up with unique flavors, and reminding people what a treat candy can be. 

When did you discover that being a candy maker is what you wanted to do with your life?
When I realized it was an option! We had moved to Barcelona and our friends who started the company made that a reality.

 

While you were studying in Barcelona, what kind of things did you learn?
The initial process of learning how to make candy is very intense. You are working with a very hot and alive material while exposed to the elements- heat and cold can greatly affect the outcome of the finished product. We learned a ton about colors and flavors and how to run a shop that doubles as a factory…which is also intense!

 

Why did you choose to set up shop in New York City?
We thought NYC was so exciting! We figured go big; live in a crazy city, see what happens.

 

Candy gets sort of a bad rap from the health-conscious. Why do you think candy is still good to have around?
It’s not like candy is a secret—it’s sugar, straight up and not hidden like it is in so many things that the majority of Americans consume. Our lab/factory is our shop because we believe in the importance of process and reconnecting the public with the science and art of what we are doing here. It appeals to many senses, and that is something that you often lose in a normal retail experience. The sugar part is a treat, the flavors are natural and unlike most hard candy flavors, and the experience is dreamy.

 

You make candies in flavor combinations like mango-lime and passionfruit–not your typical candy flavors! Where do you get your inspiration? How do you figure out what tastes good?
We draw inspiration from all sorts of stuff. Travel is one big inspiration. There is mango chili in Mexico and salty licorice in northern Europe. Food and cocktail combinations are also an inspiration, like grapefruit and basil or pear and bergamot. Our designs come from things that we see and we like, from art to music to just what we see on the street.

 

Is there anything new you’re working on?
We’re working on some jelly candies right now that we’re very excited about!

 

Any tips for people wanting to make candy at home?
Be careful! Hot sugar is not easy on the skin. Also be clean and organized; sugar cools down quickly so having your tools and tables in place will allow for more sugar time.

 

What’s your favorite way to enjoy your candy?
With friends!

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Taste of New-York History: The Good Batch

goodbatchNew York has long been a food capital, from the upscale kitchens of our finest restaurants to the bagels and sausages on the street corners. But as anyone who has walked around Brooklyn has figured out, the next chapter of New York’s food history has everything to do with the local, “artisanal” food scene that is making its mark on the city. From the rise of greenmarkets and food fairs to the focus on seasonal ingredients, these products embody a DIY ethos that New York City has had from the very beginning.

The New-York Historical Society’s Museum store is introducing it’s A Taste of New-York History collection of specialty foods produced in New York City and State, including jams, savory condiments, and chocolates. One of those vendors is The Good Batch. Started by Anna Gordon, The Good Batch is focused on making not-too-sweet treats like cookies, bars, and classic Dutch stroopwafels. We spoke with Anna about learning to bake, her love for Brooklyn, and why she won’t compromise on making fresh products.

When did you first start baking growing up? How did you decide that making sweet treats was what you wanted to do for a living?

I absolutely loved being in the kitchen from a very young age. I wouldn’t even say that I grew up in a family with strong culinary roots, but we certainly loved food, and my parents were very supportive of my creative and curious mind. Making a heap of cookies for the holidays was a yearly activity with my aunts, and my mom and I would pretend like we were hosting a cooking show when we made dinners together. And that was before the Food Network was cool!
My decision to take my love of food and baking to a professional level came to me after living in New York City for a year or two in my early twenties. I was having such a hard time being happy in the office work environment, and spending so much time on intangible projects. I wanted to work with my hands, develop my own projects, and create something that would have an immediate and joyous effect on other people. I put myself through pastry school, and the rest is history!

One of your most unique treats are your stroopwafels, a classic Dutch treat that is totally addictive. (Sidenote: the first time I went to Amsterdam I bought a whole bunch to take home and they didn’t last the plane ride.) What made you decide New York needed some homemade stroopwafels?

I have to give credit to my Dutch in-laws for this one. Before dating Steve I had never had a stroopwafel. Over the course of dating, I was introduced to these caramel waffle treats, along with a slew of other delicious Dutch delicacies (koek, real Gouda, bitterballen, homemade Indonesian food…). While I was in pastry school, his family would ask if I could make them stroopwafels, since it’s nearly impossible to find fresh ones in this city, let along country.  For fun, I tried it out, and while I continued to experiment different recipes, I realized it would be a perfect gateway cookie for starting a baking company.

Your cookies seem to have no artificial ingredients or preservatives in them. Why do you think that’s important?

For anyone that has ever baked cookies from scratch, it is obvious that the ingredients are incredibly simple. I couldn’t imagine complicating that process for the sake of keeping my cookies on the shelf longer.  I want my product to be pure, simple, and delicious, so I keep the ingredients that way. I will say, however, that the shelf-life factor really limits the type of products I can make. If I had a pastry counter I could fill with fresh desserts and baked goods every day, you’d see a very different menu from me. But for now, I’ll stick with hearty baked goods that can still be scrumptious and buttery after 4 weeks.

Do you have any plans to open a storefront?

Absolutely, but I’m not quite there yet. I have a lot more recipes and ideas I want to develop before I go down that road.

In the past few years, Brooklyn has seen a renaissance of independent food makers. Do you feel like you’re part of a greater movement in food?

I could not be more in love with Brooklyn if I tried, and the food scene here is a humongous part of that. There is inspiration, raw talent and outrageous thinkers everywhere you turn, and I am incredibly honored to be part of the “artisanal food entrepreneur” demographic. It is pretty tremendous that this borough has created such a blast in the country’s food culture.  By default I suppose I am part of the “movement,” but I really try not to take myself or what I do too seriously…I do bake cookies for a living, after all.
 

Any tips for at-home bakers?

Don’t be afraid to make mistakes, stray from a recipe with your own ideas, and trust your gut. Pastry and baking have such a bad rap for being very precise and unforgiving, and while there is some truth in that, especially in comparison to making a pot of marinara sauce, there is still so much room for play.

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Taste of New-York History: Mast Bros. Chocolate

photo credit: Tuukka Koski

New York has long been a food capital, from the upscale kitchens of our finest restaurants to the bagels and sausages on the street corners. But as anyone who has walked around Brooklyn has figured out, the next chapter of New York’s food history has everything to do with the local, “artisanal” food scene that is making its mark on the city. From the rise of greenmarkets and food fairs to the focus on seasonal ingredients, these products embody a DIY ethos that New York City has had from the very beginning.

The New-York Historical Society’s Museum store is introducing it’s A Taste of New-York History collection of specialty foods produced in New York City and State, including jams, savory condiments, and chocolates. One of those vendors is Mast Brothers Chocolate, whose handmade chocolate bars embody the sustainable, DIY ethos of the current Brooklyn food scene. We talked to them a bit about how they got started, and why you should put down that bar of Hershey’s. 

How did you guys first get started with chocolate? What was the market missing that you wanted to provide?
We started really just out of a curiosity for how things were made and there was chocolate, one of the most popular foods on earth and no one really knows how it’s made. And so it began!

 

Was this always what you wanted to do with your lives?
It wasn’t something that we thought we would be doing when we were kids, but as we both found ourselves in New York we realized that we both wanted to work for ourselves and we became deeply passionate about chocolate.

 

What made you want to run this business out of New York?
Well, I mean New York is such a hub of community, culture, business etc. We were living in Brooklyn, and all around us people were just as curious as us making pickles, brewing beer, making cheese etc. We were making chocolate from scratch. People started to take notice of what we were doing and we realized people loved it!

 

The way most people have experienced chocolate in their lives has been through candy bought off the shelves. How do you introduce Mast chocolate to someone whose palate has gotten so used to the average candy bar?
First, I guess we let people know that all of our chocolate is only 2 ingredients, cocoa nibs and cane sugar. Which is why it tastes the way it does. We aren’t adding all of those other ingredients that other companies are. Were are really showcasing the farms and the origins of the chocolate.

 

How do you think what you do plays into the greater food history of New York?
We were NYC’s first bean to bar chocolate maker to our knowledge, so we feel like that alone stands strong in the NY food history.

 

 What’s your favorite way to serve or enjoy your chocolate?
Open it up, crack off a piece smell the aroma and let it melt in your mouth. Notice all of the complexities that come from just beautifully sourced ingredients perfectly executed.

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Interview With Claire Yaffa, Photographer of Children With AIDS: Spirit and Memory

Claire Yaffa, Anthony, ca. 1990-1992. Gelatin silver print. New-York Historical Society, Gift of the photographer cc

On June 7, AIDS in New York: The First Five Years opens at the New-York Historical Society. The new exhibit will explore the impact the epidemic had on personal lives, public health, and politics from 1981-1985.

The companion exhibition Children With AIDS: Spirit and Memory. Photographs by Claire Yaffa will feature twenty photographs by the acclaimed photographer, whose work has been exhibited The International Center of Photography, The Neuberger Museum, The Hudson River Museum, The United Nations and Fait et Cause, Paris, France, among others. We sat down with Claire Yaffa to discuss her inspiration, her relationship with her subjects, and why she wants people to remember these children.

 

What was your initial inspiration for documenting the struggles of children with AIDS?

I contacted the Foundling Hospital and asked how, with my photography, I could help them in their mission. That started in 1979 and I worked with them, documenting the programs at the New York Foundling Hospital, until 2006.

While I was doing that for such a long time, I had done a lot of work with children who were hurt, disadvantaged, homeless, and compromised with illness. I learned about Incarnation Children’s Center, which is how I came to this project, back when Dr. Stephen Nicholas was the medical director. He was very interested in photography, as he was a photographer himself. They accepted me there, and let me photograph the children. And these are only some of the children that I represented there, in this exhibit. I would go once or twice a week for 10 years, so I have many many pictures.

So it seems like you got to know all these kids really well.

Not just getting to know them, it’s to suffer with them and love them. All these children were loved and taken care of.

Did a lot of them have their parents around?

Sometimes there were no parents. Either the children were given up for adoption, or they were in foster care. Many of the children languished in hospitals.  Tracy came to ICC when she was six months old. She had always been hospitalized. She was abandoned at birth. She died at 13 months, and she weighed only about 20 pounds. Dr. Nicholas told me “there is no one here for her.”

What was the initial reaction when people saw these photos, and saw what AIDS was doing to children?

What was interesting to me was that nobody knew at the time about the problem of children with AIDS in the United States, and least of all in the Bronx. When I said I was photographing children with AIDS people would assume it was in Africa, and I’d have to say “No, in New York.” I think that was one of the most prominent disclosures. One of the reasons I persisted with this project is that I wanted people to know. And also, I wanted them to remember these children, even though they were here just a short time, because they were very special.

Do you have any memories of your time there that stand out?

Oh, all of them. I photographed Anthony’s white casket. It was a very disturbing thing to do.

Did it ever get too difficult to keep documenting what was happening? Did you ever want to stop?

No. I had to do it.  I started it and I documented an important time in the history of children with AIDS. As Dr. Nicholas has said, if the mother is HIV positive or has AIDS, but is on retroviral treatment when she is pregnant, the child will not be born with AIDS. Dr. Nicholas, when he was Chief of Medicine at Harlem Hospital, he had very few children being born with AIDS. The young adolescents are also living longer now because of treatment, so it’s very gratifying to see what has happened.

But it’s also gratifying to me to see these children are being remembered. When I was going through my archives, it was very difficult. I relived every time I had been with them. And I’m very grateful to Marilyn Kushner and to Jean Ashton for this opportunity.

The Civil Rights Gallery is also a perfect spot for this exhibit. It’s almost like a place of worship, where you can sit and reflect. They come alive in here.

The years you did this, 1992-2002, were a long range in the history of how the country dealt with AIDS. Did you see any changes throughout the years?

I started in 1990 actually, but I didn’t notice any changes. These children were still dying. When I came back in 1992 there were older kids, which is a whole other documentation that’s in the archives of the New-York Historical Society.

What does it feel like seeing these images up in the gallery?

It makes me feel very sad again. But as I said, very gratified with all the people who helped to make this happen. I think that it’s important. It makes me proud that I was able to do this, because it wasn’t easy. I kind of protected myself. I tried not to get too close to the children, but you couldn’t help it. You couldn’t help it if you saw Anthony trying to hit a baseball thrown by one of the volunteers. All the people were so wonderful. ICC was such a wonderful place of caring and love. I called it “Love At The End of the Rainbow.”

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Taste of New-York History: Interview With Brent Ridge of Beekman 1802

New York has long been a food capital, from the upscale kitchens of our finest restaurants to the bagels and sausages on the street corners. But as anyone who has walked around Brooklyn has figured out, the next chapter of New York’s food history has everything to do with the local, “artisanal” food scene that is making its mark on the city. From the rise of greenmarkets and food fairs to the focus on seasonal ingredients, these products embody a DIY ethos that New York City has had from the very beginning.

The New-York Historical Society’s Museum store is introducing it’s A Taste of New-York History collection of specialty foods produced in New York City and State, including jams, savory condiments, and chocolates. One of those vendors is Beekman 1802. Founded by partners Brent Ridge and Josh Kilmer-Purcell in 2008, this Sharon Springs, NY farm produces everything from goat cheese to soap to condiments. We spoke with Brent about learning to farm, their show The Fabulous Beekman Boys airing on the Cooking Channel, and getting Upstate New York the attention it deserves.

When you first bought the farm, is this what you were planning to do with it?

We had purchased thinking it would be a weekend getaway. But we ended up losing our jobs, and had to make the farm sustain itself in order to keep it. It just kind of grew into what it is now. It was completely out of necessity.

Did you always have a passion or interest in making things like cheese and soap, or was this something you learned as you went along?

Both of us grew up gardening. I grew up in the rural South, and Josh grew up in Wisconsin, so we had some experience with these things. I had also worked at Martha Stewart for 5 years, so creating things and doing things from scratch was at the top of our minds. I think these were all things that we would have done naturally, but we probably never would have done a business if it weren’t for the specific circumstances. So much of what we do is all self-taught and experimentation. With cheese and soap and other products, it’s always talking to neighbors and learning something new.

Have your neighbors been receptive to your business and other endeavors?

They really are. In retrospect, I think the way we became so assimilated so quickly is that we never went in trying to change anything. We never said we know how to do it better. We went in saying that we’re novices and would just knock on their door, asking for advice. We asked how to raise pigs, or chickens. Everyone wants to feel that, with their work, the culmination is being able to teach something. I think that’s the ultimate flattery. We saw that they were experts, and we treated them as such.

How did the option for your TV show, The Fabulous Beekman Boys, come up?

We had started keeping a blog on our website, about what was happening on the farm. The president of Planet Green network, owned by Discovery, was on our newsletter list. And she sent us an e-mail saying she was interested in what we were doing. We thought they just wanted us to blog with them! But they said it would be an interesting TV show. They started producing it, and when Planet Green folded the Cooking Channel purchased it. It just sort of fell into our laps. What was really interesting was that it opened peoples eyes about what was special about upstate New York, and reminded people here what is special about the community. People take that for granted sometimes, and lose perspective of what is around them. Seeing it reflected back on TV made people proud, and has galvanized the community. It’s just really a small American town success story.

What do you believe makes upstate New York so special?

When I think history I think upstate New York. The whole area is so rich in American and pre-American history. Schoharie County is said to have some of the most fertile soil in the whole world. It was called the “Breadbasket of the American Revolution” because so many of the crops for the army were harvested here. Agriculture is still the predominant industry. We’re helping people from greater New York appreciate what’s coming from here. It’s a three and a half hour drive from New York City, so a perfect weekend trip.

We’re carrying things like your Blaak Onion Jam and your Rosemary Creamed Honey. How do you like to consume those products?

These particular products were all products we developed as pairings for cheese. We got tired of always having quince paste or fig jam to pair. There has to be something more interesting! So every year we’re going to introduce a new condiment that you can put on a cheese plate. The first one was the Blaak Onion Jam with local onions and local maple syrup. And it’s amazing on cheese, but also on chicken or pork  or on a hamburger.

The next year we installed beehives, and someone brought over a package of rosemary crackers one day, and we had it with cheese and thought those flavors worked so well together. The Rosemary Creamed Honey is great for doing a glaze on chicken, or a sandwich spread.

Last year the condiment was the Blaak Balsamic Drizzle, with fig, balsamic, and local elderberries. You almost never see products with elderberries, but it’s a native product to New York State! It’s great for use on a salad, or to pour over fresh berries or ice cream.  This year it’s going to be a tomato ginger jam, which is really delicious.

What do you hope people learn about New York from your products and your show?

I would love for more people to come visit us. We’re going to open up our flagship store on Main Street in Sharon Springs, and our next huge festival is the Harvest Festival from September 21-22. We got about 10,000 people last year for that. The more the merrier!

 

Frosted Flakes Fried Chicken With Rosemary Honey Glaze
(Serves 2)
Ingredients:
5 large chicken legs
3 cups buttermilk (substitute: whole milk)
2 eggs, beaten
3 tablespoons water
1 cup crushed Frosted Flakes
¼ cup all-purpose flour
1 tablespoon black pepper
2 tablespoons red pepper flakes
2 tablespoons dry mustard
1 teaspoon dried rosemary, crushed fine
1 teaspoon powdered sage
1 teaspoon powdered thyme
2 teaspoons paprika
approx 2 tablespoons coarse salt (add after frying)
For drizzle: 5 tablespoons Beekman 1802 Rosemary Creamed Honey heated in saucepan.

Directions:
Soak chicken legs in shallow pan with buttermilk for 6 hours (up to 12) in refrigerator, turning every few hours. Add two beaten eggs and 3 tablespoons water to shallow bowl, large enough to accommodate at least one chicken leg. In second shallow bowl of equal size, combine Frosted Flakes, flour and all spices, except coarse salt.

Remove chicken legs from buttermilk, pat dry with paper towels. Dip leg into egg mixture, turning to coat completely. Immediately dip into dry spice mixture, turning to coat. Using tongs, drop into deep fryer, with the oil pre-heated to 350F-375F. Repeat using other legs. Do not crowd chicken in deep fryer. Cook each leg for 10-15 minutes or until thermometer inserted into the thickest part of the leg registers 165F.

While chicken is frying, heat honey slightly in small saucepan (or microwave) until very runny. Remove chicken from fryer, and blot with dry paper towel to remove excess grease. Immediately sprinkle with coarse salt to taste. Drizzle with honey and serve immediately.

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Interview With Maurita Baldock, Curator of Manuscripts

Earlier this week, the New York Times took a look at the Archivists Round Table of Metropolitan New York, a group of young archivists, librarians, and historians who meet up and network around the city. One member featured was our very own Curator of Manuscripts, Maurita Baldock! But what exactly does that job entail? We sat down with Maurita for a more in-depth look at her job, journey, and some of her favorite collections.

First off, what exactly is a Manuscript?

The way I always explain it is that a Manuscript is something that’s generally unpublished. Letters, diaries, maybe a few illustrations.

Is there a reason you focused your career on Manuscripts?

I started volunteering on Saturdays when I was right out of undergrad at the Chicago Historical Society (now the Chicago History Museum). The only section of the institution looking for Saturday volunteers was the Manuscripts department. I studied History in undergrad, and generally when you’re a History major people say you can become a teacher or you can become an attorney.  I was working in a law firm and figured out the attorney thing wasn’t going to be for me. But I really liked Manuscripts; I thought it was cool to work with the real materials.

What about Manuscripts and archiving grabbed you?

It wasn’t that I found one thing in particular. The people I volunteered for were very knowledgeable, and seemed to really believe in what they did, and I really liked that. The archivist I volunteered for, Archie Motley, was probably in his 60s at the time and just knew everything! He had grown up in Chicago and was really into the history, and I had a lot of admiration for him. So in some ways he was sort of the inspiration.

So what brought you to New York?

I attended graduate school at NYU, getting a Masters in History with a Certificate in Archival Management and Historical Editing. Most people working with manuscripts get a Masters in Library Science but I wasn’t really sure when to do that. Eventually I did get that Masters, but I was working here at the time.

People have this idea with archiving that you spend all your day in stacks, indoors. But you previously mentioned going out to see potential collections. Clearly you’re active in finding things. Is seeking out resources a big part of your job?

A lot of it is people calling with personal collections asking if we want to take a look. A lot of my time is really spent on calling people and talking to them about what they have. Recently, one woman donated a diary and travelogue from the late 1700s of this teenager who went on to be a senator (Senator William H. Wells of Delaware). She was helping her sister clean out her house when they found it. And we were able to cross-reference the entries and timeline and confirm it belonged to this senator. Sometimes I’m amazed at what people have in their homes.

How do you decide what would be a valuable addition to our collections and what wouldn’t?

Generally if it’s older it means it’s more rare, and we’ll accept  it. But we usually take things that are content based. If people are describing their lives, what’s happening in the world around them, it’s more interesting. Particularly if it speaks with a different voice;  if it’s letters from women, or history of children, or just the “underserved.”

Within the New-York Historical Society, do you have any favorite collections or items?

The Alexander Family papers are always great. We have these fabric samples from this woman and her husband who started a dry goods store, all from the 1700s. They were all importing things from England then, nothing was really being produced here, so they were samples sent by the company to her.

We also have this letter written by Clara Harris, who lived in DC and was friends with Mrs. Lincoln. The night the Lincolns went to Fords Theater, Ulysses S. Grant and his wife were supposed to go with them, but at the last minute they invited Clara Harris and her fiancée, who had just returned from fighting in the Civil War. So we have a letter from her to her friend describing that night, and how terrible it was.

We really do have some amazing stuff. You can find something new every day.

Why do you think this work, and this job, are important?

You have to believe in the collections. A lot of times I say that I’m preserving the past but also collecting for the future. It’s important to make sure that the stuff that’s already here and needs attention gets more attention, but it’s also important to think about stuff that’s coming in, and how future generations will see what we’re collecting now. We have some materials from the Westside Crime Prevention Program and community meetings from when the Upper West Side wasn’t as safe. There are slideshows of what a drug deal looks like, what a crack vial looks like, how to contact the police if you see something like that going on, or if you suspect your neighbors are drug dealers. And already the neighborhood has totally changed, and now that’s  a piece of history, even though it was from 30 years ago.

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More Of Your WWII Stories

Minerva Matzkowitz at the Brooklyn Navy Yard. Official U.S. Navy Photo, New-York Historical Society.

At the end of WWII & NYC, there is a phone booth labeled “Talk to Us,” where visitors have been leaving their comments, questions, and personal stories of World War II. We’ve featured some of the stories here before, but amazing tales just keep coming! WWII & NYC closes on May 27, so if you haven’t already, check it out and tell us your memories of WWII.

My memories are—I remember so much. The air raids. My dad leaving us in the apartment because he was an air raid warden, and had to patrol the streets. He didn’t serve in the military because he was 36 and had three children. I remember the darkening shades we had in the windows, and how frightened I was. I remember parents getting telegrams about their child’s death and running through the streets crying. I remember the Victory Gardens, and bringing stuff to school for packages to go to soldiers, such as: stockings, cigarettes, and underwear, anything they could use, playing cards. I remember the ration stamps that my mom had to use, and young men in the neighborhood reaching the age of 16, 17 and having to go into the military, and us seeing them off to war.

I served with the 84th Infantry division. We arrived in Europe after D day in time to be available for the Bulge. I went through all of that unscathed and it was after that I went to Germany when I was wounded. I remember when i was recuperating I was at the hospital in Utica, New York. I came to New York on a recuperation feral and i used to hang around the Pepsi-Cola cantine which is where the Olive Garden is now. And because I couldn’t really move around too much I was on crutches at the time. And that’s where i met my lovely wife who was in the Navy. She was in WAVES and the two of us appreciated all the services that we received from the USO by getting tickets to various shows and things like that and that was the way we went out. She would come up from Washington, DC meet me and I would come up from Brooklyn and the two of us would really enjoy our weekends together for several months. After she was discharged about a year later we got married.

My grandpa was stationed in France, and he was known for always being lost. He would get lost going to his own house. He actually got lost from his platoon, and he was found by nuns, and they took him to their convent, and he was there for quite a long time, and they saved him. His platoon died but he survived because he got lost. My grandpa’s brother was stationed in another platoon. They were playing a movie, but he didn’t want to watch it, so he went to sleep in a foxhole. During this time they were invaded, and he was one of the only ones to survive because he was in the foxhole.

I was 7 years old at the end of WWII. When I went to school, I remember, I went to PS87, and because I was of German descent none of the teachers liked me, and the kids used to throw tomatoes at my brother and myself. And we never understood why, because we were too young to understand. I lived on West 80th Street and it was very hard to grow up as a German in NYC after WWII. That’s one of the basic things I remember, but I am so happy we won the war.

What are your memories of New York during WWII? Let us know in the comments!

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Taste of New-York History: Interview With Scott Ketchum of Sfoglini Pasta

New York has long been a food capital, from the upscale kitchens of our finest restaurants to the bagels and sausages on the street corners. But as anyone whose walked around Brooklyn has figured out, the next chapter of New York’s food history has everything to do with the local, “artisanal” food scene that is making its mark on the city. From the rise of greenmarkets and food fairs to the focus on seasonal ingredients, these products embody a DIY ethos that New York City has had from the very beginning.

The New-York Historical Society’s Museum store is introducing it’s Taste of New-York History collection of specialty foods that can only be found in New York City and State, including jams, cheeses, and chocolates. The store will also be hosting a series of Friday Night Bites events, where local vendors will provide demonstrations and tastings. One of our vendors, Sfoglini Pasta, will be here on June 7. Based in Brooklyn, Sfoglini Pasta focuses on making freshly extruded pastas from local grains and ingredients, experimenting with new flavors like beet, nettle, and even everything bagel! We spoke to Sfoglini co-owner Scott Ketchum about making pasta, New York’s food scene, and how best to cook their bagel pastas.

You and [co-owner and chef Steve Gonzalez] have lived and worked all over the country. What about New York made you want to start this business here?

I came to New York about 12 years ago, and really, it had always been a dream of mine to move here. I grew up in the MTV generation and seeing everything that happened here—it was just so different from where I grew up. I had that desire from young age. I moved to San Francisco for a while, but I still knew I wanted to come to New York. As for Steve, the restaurant business brought him here. This is where all the chefs want to be.

Given your culinary backgrounds, why did you choose to open a pasta business instead of a pasta restaurant?

That really was our original concept, to have a restaurant with wholesale business on the site,  and we worked on that for a long time. But with times being tough, financing, it wasn’t happening as quickly as we had hoped. So we saved up some money, and thought we’d have enough to do the wholesale business. And there seemed to be a hole in the marketplace; no one was doing pasta the way we wanted to. We want to share pasta making with people, show people how it’s done. A Sfoglini is a type of pasta maker in Italy, so it’s about sharing tradition. Our space doesn’t have room for classes right now, but eventually we want to expand into that. It’s a nice thing to share with people.

Do you have any tips for making pasta at home?

I think using great ingredients and taking the time to do everything right makes a difference. We like to experiment with a lot of new grains, and we’re hoping to bring that more to the market, and show people how to use local grains.

What gave you the idea for the more inventive pasta flavors?

Steve really loves to go to the markets and local farmers, where we see what there is available to use. Just using whatever is local and fresh at the time is what we try to focus on. We know there are certain things we try to repeat, but you never know. The beet pasta we did in February was very popular, the nettle pasta turned out magnificent. Not everything always works, but we try.

The everything bagel pasta has gotten you a lot of press recently, mainly I think because it combines these two New York food cultures in a really new way. What gave you the idea for that?

That grew out of Hurricane Sandy. Steve was in the East Village, and lost power for that week and came to stay with me on the Upper West Side. My wife went to get bagels one morning, and she loves the everything bagel crumbs, and sprinkles the crumbs on everything. We were joking around that we should try to make a pasta out of that, and it just grew. But it all started over bagels for breakfast.

New York has a long history of food culture. How do you think what you guys do, and the larger artisanal food movement happening right now, is a part of that?

I think the food culture disappeared for a while in New York and people wanted to bring that back, especially when things became so processed with artificial ingredients in everything. Everyone just wanted to eat fresh again. It’s not necessarily why we started this. It just started happening and we were in it. Steve has had this passion for a long time. Italian cooking is all about finding local, fresh ingredients.

What’s your favorite way to serve the everything bagel pasta?

We’re doing it in our pasta of the month box this month, but we think people should treat it like is is a bagel, so the recipe here includes cream cheese and smoked salmon and onions. But I really like a lot of our seasonal pastas because they have so much flavor on their own, so you can’t go wrong with cooking them with some brown butter or olive oil and a little bit of cheese.

Everything Bagel Fusilli with Salmon & Capers
(Serves 2)
Ingredients:
5 oz Sfoglini Everything Bagel Fusilli
1 Tablespoon Olive Oil
1 ½ oz Red Onions sliced long and thin
½ oz Capers
1 Tablespoon Cream Cheese (room temperature)
7 ½ oz Smoked Salmon
½ Teaspoon Dill, Finely Minced
Salt and Fresh Cracked Pepper
Increase or decrease ingredients/seasoning to taste!
Directions:
Heat 3 quarts of salted water and bring to a boil, add Everything Fusilli and cook for 5-8 minutes.While waiting for water to boil, sauté the red onions in olive oil and salt over medium heat until the onions are translucent. Add a couple teaspoons of pasta water to stop the onions from becoming too soft and turn off heat. Add capers to sautéed onions and let sit. Drain Fusili, add to onion and capers and turn heat back on medium. Add cream cheese and a splash of pasta water until cream cheese is melted then turn off heat. Add smoked salmon, dill, salt and pepper, mix and serve.

 

 

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The Day Jackie Robinson Signed With The Dodgers

Charmo Manufacturing Co. Inc., Coaster, 1955. Aluminum, acrylic, paper. Gift of Frank de Caro, 2004.23.8

Is everyone excited to see 42, the new film about Jackie Robinson? We definitely are, especially because 66 years ago today, Mr. Robinson officially signed to the Brooklyn Dodgers, and took to the field in an exhibition game against the Yankees!

Jackie Robinson was born in Cairo, Georgia in 1919 and began his professional baseball career with Brooklyn’s farm club, the Montreal Royals, and then came to Ebbets Field as a first baseman. The Brooklyn Dodgers signed him a few days before the start of the 1947 season, and on April 15, 1947 the team battled the Boston Braves on opening day. Though Robinson  went hitless in that game, the Dodgers won 5-3. However, within two seasons, Robinson was the National League’s M.V.P.

In 1955, the Dodgers beat the Yankees to win the World Series, but by 1956 Robinson had announced his retirement, going on to be an executive at Chock Full O’ Nuts. His number, 42, was retired in 1997, though Mariano Rivera of the New York Yankees is still using it. When he retires from the game this year, he will be the last MLB player to ever wear that number.

For more about New York’s sports history, check out the Bill Shannon Biographical Dictionary of New York Sports.

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