Written by Kelly Morgan In this final installment of the propaganda posters series, we’ll be examining the mobilization of the home front through Liberty loan drives and through manufacturing by appealing to the labor force, immigrant groups, and citizens unable to serve in the military or Red Cross. All posters discussed in this post are…
Read MoreWritten by Kelly Morgan Last week we looked at a few selections of World War I propaganda posters promoting enlistment culled from the New-York Historical Society. This week, we’ll examine how the posters called on women to support the war effort and utilized female imagery both for the purpose of enlisting soldiers and for their…
Read MoreWritten by Kelly Morgan Before America’s entry into World War I in 1917, citizens significantly debated whether the United States should remain neutral. Artists contributed to this national conversation through their artwork. Consequently, the government depended on these artists in a variety of ways. From garnering support from the American public to ascertaining information from…
Read MoreWritten by Sophie Lynford, Acting Assistant Curator of American Art The term “Hudson River School” first appeared in print in 1879 in a review by the American art critic Earl Shinn. “Hudson River School” is an appellation that is still broadly applied to landscape paintings produced in the United States during the 19th century. Shinn,…
Read MoreWritten by Ina Bort Our last post explored the biography of Alva Vanderbilt Belmont, the doyenne-turned-activist we believe commissioned this plate’s manufacture. Today we explore the first of two likely scenarios where this and similar plates may have been used: The suffrage conferences Alva organized at Marble House, her Newport estate, in 1909 and 1914….
Read MoreWritten by Ina R. Bort Recently acquired by the New-York Historical Society, this small plate adorned with the “Votes for Women” slogan is linked to Alva Vanderbilt Belmont, a notable New Yorker whose fascinating, improbable life trajectory began as a society doyenne and ended as suffrage activist. This, the first of three posts, explores perhaps the…
Read Moreby Jean Tanis The need for the Electoral College in our electoral process has long been debated, particularly after heated political contests as we saw in 2016. But despite wide discussion, this complicated system still remains murky to many Americans. What exactly is it? How was it developed? And why do some insist it stay…
Read Moreby Claire L. Lanier This spring, in conjunction with The Presidency Project, the Museum is offering a series of twelve public programs exploring the American presidency – what it means, who did it well, who did it not so well, how different interpretations of the presidency have manifested the current functioning of the office, and…
Read Morewritten by Marci Reaven, Vice President for History Exhibitions In April 1789, when George Washington swore to uphold the Constitution as the first president of the United States, only 11 of the 13 states had voted to join the new union. North Carolina did not ratify the Constitution until that fall, and it took until the…
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